Ensemble Matheus

I Concerti del Lingotto

Giovedì

10

Dicembre

2026

VENUE

Auditorium Giovanni Agnelli

Via Nizza 280, Turin

Date

Giovedì

10

Dicembre

2026

TIME

20:30

LENGTH

100 minutes (intermission included)

Ensemble Matheus

Conductor

Jean-Christophe Spinosi

countertenor

Philippe Jaroussky

Programme

Arcangelo Corelli

Concerto Grosso in G Minor Op. 6, No. 8
«Fatto per la Notte di Natale»

Antonio Vivaldi

Nisi Dominus for contralto, strings
and basso continuo RV 608

Bassoon Concerto in A minor, strings and basso continuo RV 498

Recitative and Aria «Con questo ferro indegno»
– «Gemo in un punto e fremo»
(from L’Olimpiade RV 725, Act I, Scene 15)

Aria «Mentre dormi, Amor fomenti»
(from L’Olimpiade RV 725, Act I, Scene 8)

Sinfonia (from L’Olimpiade RV 725)

Largo from Violin Concerto in F minor
Op. 8 No. 4 RV 297 “L’Inverno” (Winter)

Georg Friedrich Händel

Aria «Cara sposa, amante cara»
(from Rinaldo HWV 7, Act I, Scene 7)

Aria «Venti, turbini, prestate»
(from Rinaldo HWV 7, Act I, Scene 9)

Location

Auditorium Giovanni Agnelli

Via Nizza 280, Turin

Date

Giovedì

10

Dicembre

2026

Time

20:30

Duration

100 minutes (intermission included)

On Thursday, December 10, Jean-Christophe Spinosi and his Ensemble Matheus make their Turin debut celebrating the Italian Baroque. The evening opens with the Corelli’s “Christmas Concerto” Op. 6, No. 8, followed by Vivaldi’s Nisi Dominus featuring countertenor Philippe Jaroussky on in his first appearance at Lingotto. Jaroussky’s deep connection to Vivaldi repertoire has been a hallmark of his multi-award-winning career: this performance reunites him with Spinosi and the Ensemble Matheus, following their 2008 recording of this masterpiece. Continuing to explore Vivaldi’s extraordinary genius, the programme brings together the Bassoon Concerto in A minor, RV 498 and the haunting Largo from Winter (RV 297), works in which technical brilliance and lyrical expression blend seamlessly into a rich tapestry of sound. Framing these instrumental masterpieces are dramatic excerpts from L’Olimpiade. To close the evening, Handel’s celebrated arias Cara sposa and Venti, turbini from Rinaldo portray the hero’s emotional journey – from intimate sorrow to triumphant resolve – in music of extraordinary expressive power.

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