{"id":13317,"date":"2026-03-16T16:57:51","date_gmt":"2026-03-16T14:57:51","guid":{"rendered":"https:\/\/lingottomusica.it\/?post_type=news&p=13317"},"modified":"2026-03-19T18:10:37","modified_gmt":"2026-03-19T16:10:37","slug":"marie-ange-nguci-debutta-al-lingotto-sulle-note-di-chopin-schumann-ravel-e-liszt","status":"publish","type":"news","link":"https:\/\/lingottomusica.it\/en\/news\/marie-ange-nguci-debutta-al-lingotto-sulle-note-di-chopin-schumann-ravel-e-liszt\/","title":{"rendered":"Marie-Ange Nguci makes her debut at Lingotto playing Chopin, Schumann, Ravel and Liszt"},"content":{"rendered":"

Tuesday, March 31 at 8:30 PM at Sala<\/b> 500<\/strong><\/h3>\n

A pianist of formidable technique and rare intellectual depth, Marie-Ange Nguci<\/b><\/a> is one of the most exciting talents of her generation. She makes her debut at Lingotto with a program that transforms pure virtuosity into a literary narrative. The performance on Tuesday, March 31 at 8:30 PM at Sala<\/b> 500<\/strong>, charts a journey from Chopin\u2019s<\/b>\u00a0 Rond\u00f2 Op. 16 to Schumann\u2019s<\/b> Kreisleriana <\/i>on the first half, going on with Liszt\u2019s<\/b> Aux cypr\u00e8s de la Villa d’Este. <\/em>Thr\u00e9nodie I,II and Les jeux d’eaux \u00e0 la Villa d’Este\u00a0<\/em>from Ann\u00e9es de P\u00e8lerinage: Troisi\u00e9me Ann\u00e9e<\/em> S. 163 and closing with Ravel\u2019s<\/b> Gaspard de la nuit.<\/i><\/p>\n

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Marie-Ange Nguci<\/strong><\/h3>\n<\/div>\n<\/div>\n

Growing up in Albania, she entered the Paris conservatory at the age of 13 and studied with Prof. Nicholas Angelich. She studied orchestra conducting at Vienna\u2019s Universit\u00e4t f\u00fcr Musik und darstellende Kunst, and was admitted at the age of 18 for a PhD-DMA degree in Music at the City University of New York. She also holds an MBA degree in Cultural Management. Regular guest of some of the world\u2019s most prestigious concert halls, such as Vienna Musikverein, Amsterdam Concertgebouw, Tokyo Suntory Hall, Philharmonie de Paris, Z\u00fcrich Tonhalle and Sydney Opera House, Marie-Ange Nguci has firmly positioned herself as one of today\u2019s leading young soloists. She collaborates with important orchestras as Oslo Philharmonic, Czech Philharmonic, Gothenburg Symphony Orchestra, Estonian Symphony Orchestra, NHK Symphony Orchestra, Rotterdam Philharmonic Orchestra, Konzerthausorchester Berlin, Royal Stockholm Philharmonic, Orchestre Symphonique de Montr\u00e9al, Orchestre de Paris, BBC Symphony Orchestra and Orchestra Sinfonica Nazionale della RAI, working with conductors such as Paavo J\u00e4rvi, Fabio Luisi, St\u00e9phane Den\u00e8ve, Alan Gilbert, Mirga Gra\u017einyt\u0117-Tyla, John Storg\u00e5rds, Marc Albrecht, Dalia Stasevska and Marie Jacquot.<\/p>\n

A program of visionary brillance<\/h3>\n

The recital opens with Chopin\u2019s Rondo in E-flat major, <\/i>Op. 16<\/strong>. Composed in 1832, this work captures a young artist transitioning toward expressive maturity, where a passionate introduction gives way to a joyful, contrasting main theme. This same interplay of light and shadow defines Schumann\u2019s Kreisleriana<\/i>, Op. 16 <\/strong>(1838), a cornerstone of Romantic visionary art inspired by E.T.A. Hoffmann\u2019s eccentric Kapellmeiste Johannes Kreisler, which explores extreme emotional shifts through abrupt, restless transitions. Aux cypr\u00e8s de la Villa d’Este. <\/em>Thr\u00e9nodie I,II <\/strong>show Liszt\u2019s introspection and meditation where Les jeux d\u2019eaux \u00e0 la Villa d\u2019Este\u00a0<\/em><\/strong>anticipates the impressionistic textures of Debussy and Ravel: the concert closes with his Gaspard de la nuit<\/i><\/strong> (1908), where Aloysius Bertrand\u2019s prose poems are transformed into musical imagies.<\/p>\n

\u2192\u00a0Info e biglietti<\/strong><\/a><\/p>\n